20 June 2018

Processing a photo

Click and done

Or perhaps not. When you shoot in JPG format, you might be done indeed, as the camera will process the photo for you. In RAW format this does not happen and you're on your own. I do like post processing, so shoot almost always in RAW format.
In this post I would like to go over a photo that I did process to show what I did and tell why I did that. It will be specific to Lightroom, because that is the tool I use.

The start

This is the original photo. My eyes were caught by the rope holding the ship moored and how it would make a nice leading line. I also found the photo had some kind of geometry in it. The water and air would divide it in half vertically. Then the clouds in the air plus the two ships would occupy the right half of the photo. While the left half would have no clouds and the two buildings. The ship that came into the photo from the left was not planned for, but it added a feeling of movement to the static picture.

The basics

My first action was to straighten the buildings on the left, using a guided upright perspective in Lightroom. I felt that buildings should not look like they fall over. The original photo also had a cool tone, which changed to much warmer when I changed the white balance.
I always start with these things. Cropping and straightening the photo and then the white balance. These two can have a huge impact on the overall mood of the photo. I did not really crop here, but the straightening did modify the photo a bit, so there are some parts cropped away.

My second step is a global adjustment. here I would definitely want to open up the shadows more. I ended up with a +54 on that slider. As I also wanted to add a lot more punch to the photo, I raised clarity to +48. The photo was quite light and although not foggy, it had a little of that same feeling of being smoothed out. So I actually used the dehaze slider to get it a bit darker and more contrast in (mostly) the sky You can read about dehaze on The Lightroom Queen's forum.

Local adjustments

I mostly want to emphasize the two moored ships and therefore thought of darkening the left side of the photo. Because of the ship that sailed in from the left, I thought of making it like coming from the dark to the light. So I added a radial filter that would lower exposure a lot. As I only wanted that effect on the left, I used the brush to remove the right side of the photo from the filter. The left corners being as dark as they are now, gave me the feeling of "opening up" for the ship on the left. Here you do not need to look very well to immediately see this photo is processed, as there is little chance of finding this in reality. But to me a photo does not need to be 100% real. In that case I should have kept the original raw photo. However, be aware that others might not like over edited photos and this one is pretty obvious now.

While I am happy with the quay being on the photo, as it holds the base of my leading line (the rope), I do not want it to hold attention for long. So I dimmed it a little, by using a gradient filter that just covers the quay. Here I lowered exposure (-0.35), whites (-24) and mostly highlights (-78). The part holding the rope is very dark, so I opened the shadows in it (+54).
I do not think these settings are too obviously noticeable, unless you have the before and after next to each other. Still, they do improve to what I would like to get.

To me, the white text on the back of the right ship was an eye catcher. This had to stand out a bit more. For this I added a new radial filter, around the text. Here I mostly raised whites (+63) and highlights (+22) to have the text stand out more. I also added clarity and sharpness here.
Like the previous adjustment, I think it is step that one will not immediately see, but it definitely contributes a lot. The text stands out better and is more of a point to attract attention now.
If you look at the image, you can see that in the previous step the text was a bit toned down, like the white of the bridge on the ship. It now jumps out, so for the careful watcher you can surely see that has been edited.

The last step

My final step was a slight alteration to the air. Here I used a gradual filter where I lowered the temperature (-15). This gives a more blue tint to the air. Using the brush I made sure the ships were not altered by this filter.
Like the previous adjustment, I think this one is not attracting much attention. Unless looking at the top of the sky, I think the effect is very minor. But it changes the sky to less gray, for which I am happy.

Looking at the result, it surely changed a lot from the original one. The leading line and radial filter that darkens the left corners do immediately pull the eyes towards the center of the photo. The ship on the left and the buildings there do give a bit of context, but do not divert attention. From the center the eyes go to the right, where the ships - the topic of the photo - are moored. The text on the back of the right ship keeps attention for a bit due to how it jumps out. From there the eyes can look around at the ships, go to the quay and finally one would look around and glance more at the buildings and the sailing ship.

The photo is much to my liking, the edits make my eyes go as I described above. Of course, I cannot say how others look and whether they will perceive things as I do.  But to me that is less important. Of course, I hope others like my photo and feel I made good edits. Yet, given that I do this for fun, I mostly strive for photos and edits that please me. Which I think should be the case for all us beginning photographers.
Do the things you like, make photos that please you. And then enjoy your hobby.

31 May 2017

Back to the eyes

Lenses again

In this post I am going to talk about lenses again. I know I did this before in an earlier blog post, but I think I should get back at that again. The reason is quite simple: last week a friend asked about lenses he would need. Now, I am a noob, but I do happen to have DSLR with three different lenses. And I have actually read a bunch of articles. He was not at that stage yet. So we spoke about what he wanted to do and then I told him what I would buy.
The funny part is: it is the exact same advice as I gave in that earlier post. During that talk however, we also came to a topic that is not mentioned in the previous post. But it is an important one, so I will talk about that part in this post.


In case you think every guy loves the Formula 1 and this is about pit stops in the Formula 1, you're mistaken. We're still talking photography, and it's about a thing you can see on your lens.
Nikon lens 18-300mm
Nikon 18-300mm F3.5-5.6
In the image you can see the mention about the F-stop. Of course, they do not make it very clear, as the letter F is not mentioned there. But it is the part with 3.5-5.6 in it. There are also lenses with only one number there. Every prime lens, which has a fixed focal length, always has only one number. But a zoom lens can have either one number, or a range. The F-stop means your widest aperture. If you have a lens with one number, it has that widest aperture on every focal length (zoom level). If you have a range, the lowest number is the widest aperture when not zoomed in at all. The higher number is the widest aperture at full zoom. In general you can say that the lower the number, the better. And that means also more expensive. Just as lenses with a fixed aperture on all focal lengths are more expensive.
I can see that the question would then be: why would you want these lower numbers? What does this F-stop thing do?

Light and focus

And this heading here is the answer to the question in the previous paragraph. An F-stop can be seen as a number telling the wideness of aperture. A low number means a wide aperture. A wide aperture allows more light into the camera. And that means you can shoot in darker situations, or raise the shutter speed to freeze motion. Being able to do so, is of course nice. And that is why you should like a lens with the lowest possible F-stop value you want to pay for. However aperture has another effect, namely the Depth of Field (DoF).
Hello birdie!
Hello birdie!
The photo here demonstrates this effect. Now, I do not have lenses with really wide aperture like F1.4 or F2.8, but I suppose this example suffices. The photo shows the bird sharp. It's focused on it. You can see the branch it's sitting on is also quite sharp. The branches further away are... well... I guess we know they should be branches, but it's definitely not very sharp. In photography this is often a desirable effect. In this case I want you to look at the bird, not the branches in the back. If you want to show a landscape, it is often not what you want. A wide aperture gives a small depth of field, so with a wide aperture (so: low F-stop), we have a shallow depth of field and get blur sooner. With an F-stop of 1.4 and taking a close-up of a person, you might notice that when you focus on the tip of the nose, the eyes are already not sharp anymore.


That last remark brings us to the second ingredient that makes up the Depth of Field: distance. The closer the object is that you focus on, the shallower your DoF will be. So if the previously mentioned person would be not close by, but say 30 meter away, then with the F1.4 he would still be fully in focus. So, there are two things to consider, the F-stop and the distance to the object to focus on.
Wide aperture
Wide aperture
Small aperture
Small aperture
 And then we go to the last part about this, and that is the difference before and after the object in focus. It would be easy if we could focus on an object and then by setting aperture wider we would make the plane we focus on larger, both before and after the subject. Well, that is not how it works. The depth at the front is half of the depth behind the focus point.
The images here represent you: the photographer on the left. Your subject, the princess model in the middle and some background: a forest. The first image uses a wide aperture and makes sure your princess is in focus. The green around her shows what's in focus and what is not. And as you can see behind her is clearly more. Everything in the white area would be blurred.
The second image shows a much smaller aperture. And while the forest is getting into focus, the area right in front of you is still mostly out of focus. Rule of thumb is: 1/3 in front of the subject and 2/3 behind the subject is the focus area. With changing aperture, you can set the depth, but always in these proportions.The other way to set the depth would be walking closer or further from the subject.

What F-stop do you need?

So, you want those nice blurry backgrounds? Then you need an F1.4 lens, obviously. Or... no. You don't. The previous examples already showed you can get that also with higher F-stops (so, a narrow aperture). If you are close to your subject, you already make the DoF shallower. And a shallow DoF means your background gets blurry sooner. The other trick would be to move your subject further away from the background. And this is also demonstrated with removing parts in front of the subject.
A bear looking at a snack?
I took this photo in the zoo, and I can assure they do not let you go near the bears. Nor do they allow the bears to go to you, it might mistake you for a snack, after all.
So, there are fences, like you can see in the background. Such a fence is also in front of the bear, yet you don't see it on the photo. This is also an effect of Depth of Field. The distance between me and the bear was quite some meters and with an F5.6 it has a reasonably small DoF. The distance between me and the fence was pretty small, so all it gave was a tiny blurry line. Which I mostly removed in post processing. So, do you really need that F1.4? I cannot decide that for you, but I would at least say: unless you want to go the path of a professional photographer - in which case you should not read this blog, but write it - you probably don't. Simply start playing with your aperture, look at the effects and don't forget to try out small apertures and wide apertures, both close by and at a distance. And then, after having seen what your current camera and lens can do, you can decide whether you need that. And in case you happen to have a spare one fitting my Nikon D3200: I would be a happy receiver, even if I think I do not need it, nor feel willing to pay the price for it.

Now, please go make great pictures with blurry backgrounds and perhaps we will next time talk about bokeh.

19 April 2017

The Eye of the Master

I need to get better

In most activities you can improve yourself. Just as you can in photography. The question then remains: how? Now, before thinking much about that question, perhaps there should be a question before. Just as the heading above might be different. The heading should read: "I need to get better, or not?"
Like most people, I like to get better at what I do. Or at least good enough to serve its purpose. So, before I can tell whether I need to get better, I would need to know what my purpose is. If you take a random look at my photos, you will most likely notice they are in general not very special. Even if I think I improved, I cannot find much in my photos that makes people go "Wow!".
Vulture, photo taken in the zoo
Most of my photos are like the one here. Taken while on a day out. Or on holiday. In this case a simple photo from a vulture. I am not going to say it is a bad photo. But it also has no spark, it's a decent photo.
I have a lot of these photos, because that is how I like to shoot photos. I can tell you that I like going to the zoo. But photography gives me a good reason to be there. I am now not only relaxing, but am also taking photos. The first part, relaxing, I could do at home on the couch. But the second part will become dull quite fast, as my house is not that big that I would not have photographed everything in a day.
Just as I like taking the time to make photos during holidays or other trips. The camera gives me a reason to take time, to do things leisurely and a reason for being there. Those are my main reasons for making photos. Nowhere in that part is mentioned anything about high quality photos. Nor about becoming an ace.
So, that brings me to the question: do I need to get better, or am I good enough to serve its purpose. The last part seems to be easily answered: as I had no quality demands, except taking photos, I am probably good enough to serve its purpose.


I added the heading above, so it would stand out. Why, you ask? Because it's important, I answer. And then you ask me why it is important. My answer could be short: everyone, including me, is vain.
Vanity smurf
Vanity smurf 
There are degrees, but we all like to be complimented and we all like to be noticed in a positive way. Of course, you can be shy and blush furiously when people praise you in public. But even then you cannot deny it feels good to be praised. A photographer, even a hobby photographer like me, likes to be praised for their photos. I have put a bunch of mine online. Partly, so I have access to them wherever I am. Partly, because that also serves as a nice back-up in case something happens to my hard disk. And partly so others can admire them. I admit that last one is just a small part, as I don't give much reason for people to come and admire my photos. But I still like it when someone would see one of my photos and tell me it's a good photo.
With this in mind, the question whether my photos serve their purpose is much harder to answer. As they rarely get comments that they are great, I don't really get praise. But I am not primarily after praise, it's just a secondary issue. So, I finally settled for: they are good enough to serve their purpose, but it would be nice if they would do so better.
Getting better is then obvious something I would want for two reasons:
  1. Because humans like getting better,
  2. So my photos serve the purpose of attracting praise better.

How to improve?

Only now I have established I do want to improve myself, I can start thinking about how to do that. I could take a formal education to become a photographer. And at that point it becomes clear for me that I don't have enough motivation to improve myself that way. That would take a lot of time and money. Neither of my two reasons above are important enough for me to go that way and invest that. For anyone wanting to become a professional photographer, I would strongly encourage getting an education. But for someone wanting to take photos in the zoo... well, not really.
The other thing that immediately comes to mind would be practice. They saying goes: "Practice makes perfect." Unfortunately that saying does not mention how much practice it would take to get even near perfect. But I can do a guess: a lot!
But... who mentioned perfect or near perfect? Well, I did. But I agree with you, I do not need to become near perfect. Just a little better would already be fine. In which case I would need much less practice. So what is stopping me? Obviously: I am stopping myself. I do not like practicing just to get better. I do not want to invest that time, just as before with the education. That is not to say I do not get any practice whatsoever. Every time I take a photo I get some practice. But it is not enough to make big steps forward. This is more like crouching forward and being taken over by a snail.
If you feel like practicing, one of the easiest way would be to participate in challenges. Those can be set by others, or set by yourself. In the latter case you can make it as easy or hard as you want. You could set yourself challenges like:
  • This month I make at least 5 photos of a sunset, all noticeably different,
  • I want this month to make a collage about the color orange, with at least 8 different photos,
  • I want this month 4 photos of one location, with clearly different lighting conditions.
These examples have one thing in common, they make you think about a subject. And make you see the same subject in different ways. That way you can compare photos and learn yourself what effect things like lighting and composition have on a photo.
My personal problem here is: I am too lazy, so I would most likely half way stop bothering.

I need help!

The part about practice still has a problem. What if you do not see what should be improved? Or cannot think of how to do that? Yes, even with practicing, help from others is needed. That does not count just fro me, but I think it counts for everyone wanting to improve. And preferably, you need help from someone better than you. Because that person can probably see things that you do not, but can also help in tackling those issues.
For example, if I think back, I do recall taking shots of landscapes, without bothering about the horizon. Until someone pointed out that a crooked horizon makes a photo feel awkward or uneasy. And then I started noting it myself. I did see photos with crooked horizons, where at first I did not know why I found them "wrong". This is of course a very simple example, and you do not need an expert in photography to tell you. In fact a noob in photography just told you, so this is really ridiculously easy. By the way, a non straight horizon can serve a photo well, but just keep in mind that it's in general not pleasing.
In the time I have been a little bit more serious about photos than merely taking snapshots... Okay, stop, I still am at the level of merely taking snapshots. So, let's say that I am more serious about giving a photo a bit more thought. Even if only after taking it. Anyway, in that time I did improve. I have read various things about photography. I have moments where I can say in advance that it will make a lousy photo. And I am regularly looking different at photos than I was before.
What I lack is enough critical views over my own photos, telling me what could be improved and giving hints about how. I need help for that from others for that. Preferably people better than me, but that is not necessary. Strangely enough I improved myself a bit by giving critique to photos of others. Because that forced me to really look at those photos and to think about what I liked or disliked. And to give a fair critique, I needed to mention why I felt that way. I could not always tell the "why", but did my best to provide it. So the other person might improve.
Eye of the Master
Eye of the Master
So, yeah, I need help. I need the Eye of the Master. But, given that I do not know a master in photography to help me, I would definitely settle for another option: the many eyes of anyone interested in photography. So, you reader, could be one of those eyes, and I would really appreciate if you would spend a bit of time looking over my photos and telling me what needs to be improved.

As a last part for my fellow noobs: of course, the many eyes would help you too. So don't hesitate to ask others. Make sure to ask people with an interest in photography, though. I found out that asking friends tends to result in: "Good picture!"
And as friendly as it sounds, it is no help at all. But just as you are asking for the eyes of others, spend some time using your eyes for others. They might benefit, just as you will probably benefit. Take some time to look at photos, take some time to find out the strong and weak points of a photo. And above all: discuss this with peers.
Happy chatting with your fellow photographers and let's help each other out. Be each others eyes and one day you might be the one with the Eye of the Master!

P.S. If people would want critique on their photos, the Google community "Society of Photography for Beginners" has a section "Critique my photo". Join and post. You might get more response than just from me. Of course any forum/community/whatever that suits your needs will work. If you have a nice one, please let me know, so I can check it out as well. 

05 April 2017

Your canvas

It's like painting

Past week I was in the zoo, busy with one of my favorite pastimes: shooting photos. Actually it's often the combination of the zoo and the shooting that makes it something I like. It's a calm and relaxing hobby this way. Anyway, this blog is not about what what relaxes me, even if I would say that photography can be a very relaxing hobby. This blog is about photography and so we need to talk about photography. And about painting.
Why painting? Because photographers and painters do have things in common. For example: we both "create" images. A photographer creates the basic image in less than a second. Usually that is, if you go for long exposures then it might be longer. But in general well under a second. And a painter takes slightly longer for that. Perhaps its better to say he takes much longer, but slightly sounds more friendly. And we're friendly people here, right?
Anyway, the painter is completely free to put in the image all he can imagine. A photographer would have to find what he imagines. The painter starts with an empty canvas, on which he can start painting his subject and the surroundings or background of that subject. A photographer gets subject and background at the same time, in that less than a second time, which we call shutter speed.
Now, where am I going with this story? To the background. You see as I was walking around and merrily snapshotting away, I was at a certain spot where I thought: "This will never be a good photo."

What's there in the back?

Ostrich head
Ostrich with green background
The reason I thought so, was because of the background. And it shows that even a not so fast learner like me can make progression. This might have been the first time I was obviously aware of what the image would be, and looking beyond the subject.
Take a look at an earlier photo of an ostrich. The photo was taken in Blijdorp Zoo in Rotterdam. I live close by, so am there regularly, resulting in many times the same kind of photos. Trust me, I can give you more photos of ostriches if you want.
As I suppose you do not want more photos of the ostrich, I'll get back to the photo and what's there to see. Obviously, there is the head of the ostrich. Behind the ostrich is a blurry green and dark background. Some light fence near the bottom and above its head a few light spots. As you will probably see, the ostrich mostly contrasts well with the background, making it stand out. The green background suits this photo as it does not distract from what the photo is to show, namely the head of an ostrich.
Them the fence and the bright spots above the ostrich. These make less nice backgrounds. In fact if this would be mostly filling the frame, I would have called this a failed photo. Given that they are limited in how much they cover of the frame, they are less disrupting. They are still distractions, but in my humble opinion do in this case add a little to the photo. Wonder why? Because it breaks the monotony a bit. Of course, this is a subjective opinion, but as it's my photo, I am the one deciding whether it remains there or not.
Should you wonder if I thought all this when I took the shot? No, I did not. I just clicked and when I was at home and looking over my photos, deciding which ones to keep and which ones to throw away, then I found this one fine enough to keep. Here the background makes a mostly non-distracting contrast with the subject, allowing the ostrich to easily grab attention.

So, blurry it is!

No, not so fast. As I found out, there are almost no absolutes in photography. The blurry background worked well for the ostrich head. But it adds no context, it tells nothing about where the photo was taken, nor conveys much feeling. There you have the other thing your background can do. Your background is adding the context. It might not always make the subject stand out more, but it still provides information about that subject.
Monument in Salzburg
On Kapitel Platz in Salzburg
Look at the photo I made on a business trip to Salzburg. Standing on the Kapitalplatz, near this ball. Now, this is a typical point and shoot image. I was there, and clicked. There is no thought in it about composition, and it's in general not a very interesting photo. Except of course to me, as it is a reminder of my time there. And in this case it also serves a bit as an example in a blog.
This background is very different from the previous example, which is caused by the aperture. Well, the camera I used for this photo would not even allow me to set aperture, so I would not have been able to change it, should I have wanted. But unlike the ostrich, this photo is better served by this background. The ball is rather boring and the surroundings are adding the context this photo needs even for me. You can see tourists, part of the square and on the hill you see Festung Hohensalzburg. It gives an indication about where this ball is. It probably implies I was there on a holiday or so, having a good time. I can tell you, a bit to the left next to the tent on the photo was a terrace where they sold Schnapps und Bier. They had quite tasty stuff there and as I was there on Friday afternoon after work, I did enjoy the drinks.

What does not work?

Birds on stones
Crappy photo, obviously
This! This does not work. In this quite old image, I suppose I wanted to have a photo of the birds. Besides the birds not even making a nice composition as they are now, the background ruins it completely.
The background does not help at all with emphasizing the subject. In some points it does not even contrast nice. You can also see there is a lot in the background. There are the stones in different colors, a fence, foliage, some water at the front, a bucket on a pole, branches poking in the frame on the sides. A building in the back. And somewhere between all that are also a few white birds.
This photo lacks everything, but just imagine that the birds would be sharp on it. And then imagine the background would mostly consist of these orange stones. I bet you can imagine that this "adjustment" would make the photo less confusing. There are at that point two things. The structure of the orange stones and the contrast with the white birds. I doubt it would work well, but it would be a much less confusing photo with more chance to lead the viewer towards the subject.
The current background does not add contrast, it does not add context, it helps in no way to bring over anything. I doubt you can find any painting that is as messy as this one. Here, I picked the wrong canvas.

Choosing your canvas

So, we're back to the painter. Like a painter we could put anything we want on our canvas. But unlike a painter, a photo comes with subject and background at the same time. Even if we can replace backgrounds, or subjects in post processing, we cannot really do that when we make the photo. So while we are much faster filling our canvas, taking less than a second, we are usually taking much longer to search for a suitable subject. Completed by a suitable background.
When making a photo, try to look behind the subject. What is there? Does it distract? Does it help the subject stand out? Look through your viewfinder and try to determine for the items in your background whether they add something to the photo. And if not, see if you can leave it out of the photo. But also, move that camera away from your eyes for a moment and look around. Would another angle give you a better background? Or perhaps stand on another spot and get a different context on your photo. You're like a painter and before you start, it can be well worth the time to look and think what you want on your canvas.

Note 1: I regrettably rarely take much time to think about my photo, but they say that you will get better at it if you keep trying. And the fact that I actually had the thought last week, shows I am slowly improving. And if I can, anyone can.

Note 2: I will grab my pitch fork and torch and hunt down anyone even thinking of sharing that last picture. Unless you accompany it with a photo that is more horrible. And I challenge you to find one that's worse than this.

29 March 2017

The other kind of exposure

Attention seeking

As some of you might know, I have a few of my photos on ViewBug. I came across that site as I was looking for a place to put my photos online, after Google made their site badly working together with Lightroom, which I use for editing and as a catalog of my photos. Recently I was asked how I feel about ViewBug and that made me think about social media in general. Why are we actually uploading our photos to all kinds of media? The word popping up in my mind is exposure. And this time not the technical part of exposure using the exposure triangle. But the social exposure. And from there it becomes a blurred line. Do we show our photos to let others enjoy them? Or do we show them, so others can compliment us?
Fishing for other things than fish
The term attention whore seemed to become appropriate. This has a very negative and sexual connotation, but if take the definition from the Urban Dictionary, I think it could be suitable:
"Label given to any person who craves attention to such an extent that they will do anything to receive it. The type of attention (negative or positive) does not matter."

Because the more I think about it, the more I feel it's that we seek exposure, we seek attention. Preferably from like minded people or people that can give advice. But I think that getting "likes" or whatever they are called on that specific media would be good enough.
I mean, just look at some of the photos posted on social media. I am not going to say my photos are art (they most definitely are not), but compared to some of the things I have seen posted around, some of my photos look like masterpieces. Now, if these are just fun photos shared with friends or as a reminder/memory, that is of course to be expected. But some of these photos are actually posted on groups/communities about photography. And often enough many of these people do not respond to comments, or only to comments that say things like: "Great picture!" Comments which really make me look like a totally confused monkey wondering what's great about it. In case you are waiting for examples here, I have to disappoint you. It's not hard to find them, but it is rude to single one, or some, of them out and in a way mock them. So I will refrain from that and you'll have to go look for the examples yourself.

The fact remains though, that while I might see these photos as merely fishing for attention, I do basically the same. I post some of my photos on SmugMug and Flickr. A few on 500px. And I have some of them on ViewBug. Some of my photos on SmugMug are not visible to others, these are just my photos, kept there as a kind of back-up and a way for me to see them even if I am not at my computer. But many are publicly visible. As that is not needed to see them myself, I must conclude that I actually want others to look at them. And thus, I am fishing for attention, just like the lady on the photo above. Except that she looks much better while doing it. 😀

Good? Or bad?

Of course, there are some good things about this behavior. If nobody shared anything, we would not be able to see some of the very good shots that have been taken. And, if you never show your photos, nobody can point out to you how you might make better ones. And by showing photos, we can also share interests and get to talk about those interests. And that's awesome, right?
Guilty of being an attention whore
However, I feel there are also negative parts about it. The first and foremost is that you might actually forget what this was about. I'll explain. Given my age (50 in three weeks time) I consider myself at a point that I will not feel devastated if I do not get many likes. Just as I can survive writing a blog that has only a few readers. If you're curious, I would say that there are about 10 - 15 people reading the blog. Not that much, if you consider the blogs having thousands and thousands of followers. But at my age, you can see that in another perspective. There are a dozen people out there that take some of their precious time, to read my ramblings. Which I do consider not bad at all. In fact, it makes me happy. But anyway, even having the advantage of not needing those amounts of likes, I do recall that
I had a point where I was wondering: How do I get more people to watch my stuff and like it? Without realizing it at that moment, I had crossed a line. I was no longer concerned with my reason to make photos, I was concerned with what other people would think and how I could get m,ore attention. Yup, at that point I was most definitely an attention whore.
Luckily for me, that didn't take too long. I never got to the point where I was thinking hard about how to get more attention. As I almost immediately realized what that thought was, and that it would mean I would be losing my hobby. You see: I make photos for myself. It gives me a reason to take my time at places like a museum or a zoo. And then, I get to spend my time editing them. Showing a few of them online, without much care whether they are thought of as great by others. It's my hobby, I like spending my time that way and as such it gives me happiness.
Going hunting for likes would be the same as becoming a professional. In the latter case you work directly for people who tell you what they want, and they give you money. But if you hunt for likes, you're indirectly working for others, to give them the photos they like. You, are merely a tool at that point. That does not mean I say to avoid exposing your photos. In fact, to share them with like minded people is great. If you can exchange your thoughts about your photos with others, that is very great. But if you are there waiting for random people to press a button called 'like' or '+1' or 'fav', you are wasting your time. Not getting them will make you unhappy. And getting some, will only bring out the urge to get more.
So my conclusion would be: social media are neither good nor bad. They offer possibilities. Use them as you like, and if well used they can bring lots of pleasure. But beware of the trap there and just keep your mind on what you actually want. If making photos is your passion: be out there and make photos. Share your interesting ones to let others enjoy, but don't wait for their "approval". Discuss your photos. Discuss the photos of others, every honest comment is much appreciated by most photographers. But keep your focus on your photos, do not let the social media dictate what you should do.


Now, as this all started with ViewBug, I think it should also end with ViewBug. I answered the question with telling that in my humble opinion ViewBug is mostly about contests. And that I do not expect to ever get a real high ranking in one of them, let alone win one. That perhaps one day I might feel disappointed for never making that. And perhaps stop participating. But I would have to wait and see until that time.
Still, I have some photos there, and I have entered some contests. I so far have a photo that is in the top 50%. This might not seem much, but given that all members of ViewBug can vote, it actually means that my photo at that point is generally considered better than half of all photos in that contest. It states: we, the voters and frequenters of this site consider your photo to be in the top half. It is really not a bad position.
Even if you would be the last - which is quite an achievement by itself, as there can only be one - it does not make the photo bad. That is the problem with contests: for every winner, there is a loser. Except, in this case you don't really lose anything. All it tells you is that the people voting liked other photos more.
Now, to help you a bit on that site: people can 'like' photos. I regularly check the new ones and 'like' the photos that catch my eye. it gives me some time to enjoy watching pretty photos. And I hope someone else will be having a little smile when that 'like' pops up. There is also the 'Peer Award'. I give that when I think a photo has something special. Of course, what that special exactly is, I don't know. Those are the ones I think are standing above the crowd.

If you feel like entering contests, hop over to ViewBug and give it a try. it doesn't need to cost you money. With a free account you can participate in about 25 contests and have one submission in each of them. I am not going to say it will be easy to win, but you can only win when you participate.
If you look for people enthusiastic about photography, I would say: find an online community. Not a place to dump photos, but look around for a place where you might get a comment that goes beyond: "Nice", or "Cool". Or simply look for a local photography club. :)

Anyway, I did share a bit of my view on social media and photography. And I would really love to hear your views on this. As mine are the views of an old guy. More modern people might see this totally different and I would like to hear those views too.